The Animation Sunday ☀️Summer Edition☀️ - Issue #55


Hello Reader 👋

The past few days have been a whirlwind of boxes, bubble wrap, and half-packed suitcases. We’re almost there — the apartment is nearly empty, the studio is dismantled, and I’m writing this from the kitchen table, somewhere between a a bag filled of my son's meals and his milk supply for 2 months in Bali.

Right now, I’m testing out my makeshift Bali setup — a MacBook Pro on a beautiful new stand from Ugreen (seriously, it’s a piece of design art).
This is the calm before the next adventure.

But amidst the packing chaos, something truly amazing happened: our first office hours with the Animator NOW beta community 2 days ago.

And wow.

I couldn’t have hoped for a better group. These animators — some just starting out, others with years under their belt — brought so much heart, honesty, and excitement. Hearing them share their journeys, their struggles, their wins… it reminded me why we’re building this in the first place.

This isn’t just a product. It’s a home for curious, creative, resilient minds.

We talked about animation education — and about the paths less traveled. Not everyone dreams of climbing the studio ladder. Some want to tell their own stories, in their own voice, on their own terms. And we spoke honestly about how, sometimes, to make room for that voice, you may have to step away from the big studios. Because while they offer stability and scale, they don’t always leave space for deep personal expression — at least not the kind that leads to directing your own film.

It was refreshing, inspiring even, to see that many in the group aren’t chasing the traditional dream. They’re exploring new ways to make a living with their craft. Teaching. Freelancing. Building their own IPs. It already felt like a small, thoughtful community — one rooted in passion, not prestige.

So to our beta group: thank you. For your trust, your feedback, and your open hearts.

And also — a big milestone: Episode 1 of the Animator NOW Podcast is live 🎉

It’s not on podcast platforms just yet (it might pop up during today), but it is up on YouTube. And it’s a good one. A raw, honest, beautiful conversation with my friend Patrick Giusiano — lead animator at DreamWorks.

We talk about everything:

• His career journey (from Europe to Hollywood)
• The struggles of moving a whole family overseas
• And he even breaks down shots from Epic, The Wild Robot, and Kung Fu Panda 4.

If you’ve ever wondered what it really takes to walk the animator path, this one’s for you.

video preview

As summer unfolds, updates might slow down a bit. I need a little rest too — this year has asked a lot from every part of me. But I’m not disappearing. Just breathing, so we can keep building with joy.

This is our second issue for the summer edition. The beginning of something slower. Softer. Still full of spark ✨

Let’s dive in.

Don’t forget — I'm launching the Animator NOW community on October 1st and the first 25 Founding Members will lock in a lifetime discounted price, no matter how the pricing evolves.

Want in? The link to join the waitlist is just below.

🚀 Join the Waitlist

-Philippe

The BlueZoo studio AI manifesto

This week I read something that stopped me mid-scroll: the AI Manifesto from Blue Zoo.

If you’re not familiar, Blue Zoo is a B Corp-certified animation studio — and what they’ve done here is rare. They’ve written a clear, thoughtful, and incredibly honest set of principles for how they’ll use generative AI in their pipeline. Not as a gimmick. Not as a replacement. But as a tool to support human creativity.

Their manifesto puts forward something I think many of us feel deep down: AI isn’t the enemy. But how we choose to use it matters deeply.

They talk about protecting jobs, avoiding tools trained on stolen data, minimizing environmental impact, and — most importantly — defaulting to transparency. That last one hit home. Because so much of what feels “off” about AI in the creative world is the secrecy. The quiet automation. The erasure of credit.

And here’s what I loved most: they don’t pretend to have all the answers. But they’re willing to wrestle with the questions.

So if you’re navigating the AI conversation, I encourage you to read Blue Zoo’s manifesto. Not as a rulebook — but as a model for what thoughtfulness in tech can look like in our industry.

It’s not perfect. But it’s human. And that’s the point.

👉 You can read the Manifesto HERE.

If you haven’t seen this yet — definitely check it out: an interview with Jeffrey Dillinger, co-founder of Tokyo-based VFX studio Megalis.

I worked with them on ONI for almost three years, and it’s wild to see how far they’ve come. When we started, the team was barely ten people. Now? New offices. Close to a hundred artists. Massive Netflix collaborations. And a studio culture that blends deep Japanese roots with cutting-edge storytelling.

The interview dives into their journey, their growth, and what makes Megalis such a special place to work. Full of talent. Full of heart.

video preview

And if you’ve never seen ONI — it’s on Netflix. Directed by Daisuke “Dice” Tsutsumi, a former Pixar production designer who left the studio to tell more personal stories. He co-founded Tonko House with Robert Kondo, and just a year later, their first short was nominated for an Academy Award.

video preview

We talked about Dice in our beta office hours — he’s a perfect example of someone who stepped off the traditional path and left Pixar to create something deeply his own.
And that choice? It made all the difference.

  • First episode of the Animator NOW Podcast is live on Youtube!
  • Apple TV update: You ever rewatch something and realize you completely missed it the first time? That was me with Severance. I watched season one half-distracted — no clue what was really happening. But with season two rolling out, I convinced my wife to give it another shot. We’re rewatching it now, and wow… it’s brilliant. Slow burn. Weird. Directed by Ben Stiller. Totally worth it.
  • If you want to check out past issues of The Animation Sunday, you can now do it HERE!
  • I'm writing articles on LinkedIn every week. Come and follow me👋

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The Animation Sunday

𝗧𝗵𝗲 𝗔𝗻𝗶𝗺𝗮𝘁𝗶𝗼𝗻 𝗦𝘂𝗻𝗱𝗮𝘆 is a weekly newsletter for animators. Every Sunday, I share short film reviews, creative insights, and personal notes from life as an animator and creator. Inside, you’ll find curated shorts, animation tips, reflections on craft and career, and ideas to keep your animation and creativity alive.

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